REVIEW: Tom Clancy’s Jack Ryan: Ghost War (2026 Film) - Starring John Krasinski

Photo Credits: Amazon MGM Studios

Review by Jon Donnis

Turning a successful streaming series into a feature film can be risky. Television allows characters and political intrigue to breathe, while films often lean harder into spectacle and momentum. Tom Clancy’s Jack Ryan: Ghost War lands somewhere in the middle. Directed by Andrew Bernstein and written by Aaron Rabin and John Krasinski, the film delivers an entertaining and polished espionage thriller, even if it occasionally feels too comfortable playing by the numbers.

John Krasinski returns as Jack Ryan, once again stepping into the role with confidence. Ryan is pulled back into the world of covert operations after an international mission collapses and exposes a deadly conspiracy involving a rogue black-ops unit. With the threat escalating by the hour, the story pushes Ryan into a desperate race against time alongside trusted allies Mike November, played by Michael Kelly, and former CIA boss James Greer, played by Wendell Pierce. Sienna Miller also makes a strong impression as MI6 officer Emma Marlow, bringing fresh energy to the established dynamic.

The film’s biggest strength is easily its presentation. Ghost War looks fantastic throughout, with glossy cinematography and a scale that gives it a genuine cinematic feel rather than simply resembling an extended episode of the television series. The action scenes are particularly well handled. Fight sequences feel grounded and believable, avoiding the exaggerated style that often weakens modern action thrillers. There is real weight behind the violence, and the tension remains consistent across the film’s larger set pieces.

The music also deserves praise. The score keeps the pace moving while adding an extra layer of urgency during the film’s more suspenseful moments. Combined with the sharp editing and strong visual style, it helps maintain momentum even when the story itself starts becoming familiar.

The explosive finale is another highlight. After steadily building pressure across the runtime, the final act delivers the kind of large-scale payoff fans will likely want from a Jack Ryan film. It is chaotic, tense and satisfying without completely abandoning the grounded tone that made the series popular in the first place.

The returning cast continue to work well together, particularly Krasinski, Kelly and Pierce. Their chemistry carries much of the film, and there is an easy sense of history between the characters that helps the emotional moments land naturally. Sienna Miller also fits into the world surprisingly well, giving Emma Marlow enough intelligence and presence to avoid feeling like a generic late addition to the franchise.

That said, Ghost War does not entirely escape criticism. One of the strongest aspects of the Jack Ryan television series was its intelligence. The show often focused on political tension, surveillance, analysis and slow-burning espionage. The film moves away from that approach in favour of brute force action and constant urgency. While that certainly keeps things entertaining, it also removes some of the depth that made the series stand out from other spy thrillers.

There is also a lingering sense that the film was designed mainly for existing fans rather than newcomers. The relationships, callbacks and character dynamics rely heavily on audience familiarity with the series. Anyone jumping into the franchise for the first time may feel as though they are missing part of the bigger picture.

Despite ticking all the right boxes for a modern espionage blockbuster, Ghost War never quite shakes the feeling of being a very safe production. The rogue operatives, ticking-clock tension and global conspiracy elements are all competently handled, but very little feels fresh or unexpected. At times, the film comes across as another polished, algorithm-driven streaming action thriller rather than something truly memorable.

Still, it remains entertaining throughout. The pacing rarely drags, the action is strong, and the performances are consistently solid. As part of the wider world of Tom Clancy adaptations, it comfortably earns its place and should satisfy fans looking for another tense mission with these characters.

As someone who enjoyed the Jack Ryan series, I had a good time with Tom Clancy’s Jack Ryan: Ghost War. Unfortunately, the film plays things so safely that it becomes difficult to remember once it is over.

Worth watching for fans of the series, even if it never fully reaches the intelligence or freshness of the show itself.

I score Tom Clancy’s Jack Ryan: Ghost War a safe but entertaining 7.5 out of 10.

Out Now on Prime Video - https://amzn.to/4tGGJ7z

REVIEW: The Toxic Avenger (2025 film) - Starring Peter Dinklage

Review by Jon Donnis

Macon Blair's reboot of The Toxic Avenger is exactly the sort of noisy, grimy revival fans hoped for. It is the fifth instalment in the series and a remake of the 1984 original. The film knows what it is, an ultra-violent, black comedy that mixes cartoonish gore with broad satire and a measure of heart. It will delight those who came for the shock value and unsettle anyone expecting a straightforward superhero picture.

Peter Dinklage leads the charge as Winston Gooze, a downtrodden janitor who is transformed after a catastrophic toxic accident. Dinklage brings a steady humanity to the role. He makes Winston more than a mask of green fury. When the story asks for pathos, he supplies it. Jacob Tremblay is touching as Wade, Winston's stepson, giving the film its emotional centre. 

Taylour Paige's J.J. Doherty adds fire as the whistleblower whose actions kick some of the plot into motion. Kevin Bacon is gleefully sleazy as company boss Bob Garbinger, and Elijah Wood supplies a twitchy intensity as Fritz. Luisa Guerreiro, credited as the suit performer, does the physical work of the Toxic Avenger with commitment.

The plot is straightforward, which serves the film well. There is a corrupt pharmaceutical company, BTH. There are thugs, a mob connection, a whistleblower in danger and a community under threat. From those raw ingredients Blair assembles a string of violent set-pieces, gross-out gags and darkly comic encounters. The film leans into parody more than into earnest reinvention. It is loud, filthy and frequently funny. Moments of genuine feeling sit between the carnage, so the film never becomes merely a parade of shocks.

That said, it is not flawless. The storyline is thin by design, and at times it feels like a series of skits linked by blood and bile. A few jokes overstay their welcome and the middle section can meander. At about 100 minutes the picture runs a little long for its material. If you want tight plotting and subtlety, this is not the Toxic Avenger to choose.

But those are small complaints in a film that mostly knows its audience. Blair respects the source by keeping the tone filthy and anarchic, while allowing the core relationship between Winston and Wade to give the film an emotional anchor. There are throwaway scenes that land beautifully and others that do not. Overall, the sheer commitment on screen keeps the momentum going. Performances are uniformly strong, the satire lands often enough, and the film finds a strange affection beneath its nastiness.

The Toxic Avenger is not a film for everyone. It will offend, it will shock and it will laugh at its own grotesquerie. For viewers willing to embrace that, it is a raucous, often touching reboot that pays its respects to the original while firmly staking its own claim. I score it an 8 out of 10.

Out Now at https://apple.co/4ozVYwU