Monday, 26 January 2026

REVIEW: The Wrecking Crew (2026 Film) - Starring Jason Momoa and Dave Bautista

The Wrecking Crew

Images: Courtesy of Amazon Press

Review by Jon Donnis

There is a brash confidence to The Wrecking Crew that feels almost old fashioned in the best way. This is a loud, violent, self aware buddy cop action comedy that knows exactly which buttons it wants to press and hammers them with real enthusiasm. Directed by Ángel Manuel Soto, the film throws subtlety out of the window early on and commits fully to being a crowd pleasing blast of bruising action, broad humour and clashing personalities.


The story centres on estranged half brothers Jonny Hale and James Hale. Jonny, played by Jason Momoa, is a loose cannon cop working on a reservation in Oklahoma. James, played by Dave Bautista, is a disciplined Navy SEAL living in Hawaii. Their uneasy reunion is triggered by the death of their father Walter, a private investigator whose supposed hit and run quickly proves to be something far more sinister once Yakuza enforcers start turning up uninvited. From there, the brothers return to Hawaii for the funeral and begin pulling at threads that reveal a conspiracy with personal stakes and long buried family resentments.

What really sells the film is the chemistry between Momoa and Bautista. The contrast is familiar but effective. Momoa leans into the chaotic charm of Jonny, delivering most of the film's funniest lines and clearly enjoying himself. Bautista plays James as the tightly wound straight man, all discipline and suppressed frustration. When the two are sharing the screen, the film finally hits its stride. Their bickering, mismatched methods and grudging respect give the action real momentum, recalling the spirit of Lethal Weapon without pretending to reinvent that wheel.


The supporting cast helps keep things lively. Stephen Root is on solid form as Detective Rennert, the perpetually exasperated superior who knows he has lost control of the situation. Jacob Batalon's Pika, Walter's assistant, grows into a surprisingly effective sidekick with several strong comedic moments. Frankie Adams and Maia Kealoha do their best to ground the family drama as cousin Haunani and James' wife Lani, while Temuera Morrison brings an easy authority as the Governor of Hawaii and a trusted family friend.

And a special mention to 
Morena Baccarin as Valentina, the other half of Jonny Hale.

Soto makes excellent use of the Hawaiian setting. The cinematography gives the film a bright, sun drenched look that contrasts nicely with its violent streak. Explosive set pieces are staged with clarity and energy, and the action rarely feels sluggish. When the film is firing on all cylinders, it becomes a relentless ride that barely pauses for breath.


That said, the cracks are hard to ignore. At two hours, The Wrecking Crew feels a little too long for what it is trying to do. The script is deeply formulaic and rarely surprising, hitting familiar beats almost on schedule. For an action comedy, some of the strongest jokes are spaced too far apart, and the humour does not always land with the consistency it should. It is also a missed opportunity that Bautista is not given more genuinely funny material, as his comic timing has proven strong elsewhere.

Despite those flaws, the film's sheer energy carries it a long way. It embraces its own excess, leans into its central pairing, and delivers exactly the kind of noisy, unapologetic entertainment it promises. The Wrecking Crew might not be particularly original, but it scratches a very specific itch within the buddy cop genre and does so with style.


The Wrecking Crew is a fun, if slightly overlong action comedy with some strong fight scenes, striking use of its Hawaiian backdrop, and a dependable supporting cast. It does not break new ground, but it does remind you why this formula worked so well in the first place.

I score The Wrecking Crew a solid 8 out of 10.

Released on Prime Video from the 28th January


Sunday, 25 January 2026

Leviathan (A Short Film) - Directed by James Mansell, written by Bradley Harper and stars Lauren Cornelius, Rafe Bird and Matthew Lloyd Davies

Leviathan

By Jon Donnis

Set against the gaslit streets of Victorian London, Leviathan is a short film that plunges straight into the heart of the Autumn of Terror. Running at a tight 18 minutes, it revisits 1888 as the Whitechapel murders continue to devastate the East End and leave the city paralysed with fear.


At the centre of the story is a young Dr Conan Doyle, drawn into the hunt for Jack the Ripper and challenged to apply the methods of his own fictional creation, Sherlock Holmes, to a very real nightmare. He is joined by Professor Joseph Bell, the real life inspiration behind Holmes, and Margaret Harkness, a determined journalist driven by a need to expose the truth. Together, this uneasy alliance must overcome personal differences as they attempt to unmask the figure haunting the fog bound streets.


The film presents London as a city on edge, cowering as a monstrous presence stalks the night. Leviathan leans into atmosphere and character, framing the investigation as much around intellect and observation as it is around dread and urgency. The familiar mythology of the Ripper is filtered through the perspective of those trying to impose reason on chaos.


Based on the novel A Knife in the Fog by Bradley Harper, Leviathan is directed by James Mansell and written by Harper himself. The cast includes Lauren Cornelius, known for Gavin and Stacey and Call the Midwife, alongside Rafe Bird from Ripper's Revenge and Matthew Lloyd Davies of The Madness of King George. Together, they bring historical figures and tensions to life in a concise but focused retelling of one of London's darkest chapters.

Leviathan promises a compact, atmospheric take on a well known mystery, blending history, fiction and the origins of a legendary detective into a single nightmarish pursuit.

Available on PBS



Thursday, 22 January 2026

REVIEW: Greenland 2: Migration (2026 Film) - Starring Gerard Butler and Morena Baccarin

Review by Jon Donnis

Greenland 2 Migration picks up five years after the Clarke comet ended the world, and it wastes little time reminding you how fragile what remains of humanity really is. Ric Roman Waugh returns to direct, and the tone is immediately familiar. This is not a film obsessed with scale for its own sake. It is far more interested in how people endure, what they cling to, and what they are willing to lose to protect those closest to them.


The story follows the Garrity family as survivors in an underground Greenland bunker, now living with the consequences of a planet locked into violent tectonic shifts, electromagnetic storms and radioactive fallout. When their refuge collapses and a tsunami wipes out most of the remaining community, the film pivots into a grim migration across a shattered Europe. Liverpool, London, Dover, Calais and finally the ruins near the Clarke impact site form a bleak road movie through a continent barely holding together. The journey structure is familiar, and at times the script does lean into expected beats, but the emotional throughline keeps it grounded.


Gerard Butler and Morena Baccarin carry the film with believable, restrained performances. Butler's John Garrity feels worn down by years of survival and quiet sacrifice, while Baccarin's Allison has grown into a leader shaped by loss rather than bravado. Their chemistry sells the idea of a family that has endured the unendurable. Roman Griffin Davis steps into the role of Nathan with confidence, and the character's desire to prove himself adds tension without tipping into melodrama. Amber Rose Revah's Dr Amina brings warmth and intelligence to the early part of the journey, making her fate hit harder than expected.


Where the film really succeeds is in its set pieces. The destruction of the Greenland facility, the chaos in Liverpool, and the military front lines near the crater are sharply staged and often genuinely tense. The effects work is mostly solid, especially when depicting environmental instability rather than outright explosions. A few CGI moments feel rushed and slightly undercooked, but they rarely derail the momentum. Waugh also hints at a developing world order, with militarised safe zones and whispered rumours on survivor networks, which gives the setting a sense of history rather than randomness.


Emotionally, the film earns its ending. The idea that the impact crater itself has become a place of healing, free from ash and storms, is handled with sincerity rather than spectacle. John's final moments are simple and effective, focused on protection and legacy rather than grand speeches. It is a quietly hopeful note in a genre that often mistakes nihilism for realism.


At just over 90 minutes, Greenland 2 Migration is tightly edited and refreshingly lean. There is very little wasted time, and the pacing keeps the stakes high without exhausting the audience. While the narrative can feel formulaic in places, and a handful of effects shots could have used more polish, the film's heart is in the right place.


Greenland 2 Migration turns out to be a surprisingly strong sequel to a film many people had half forgotten. Strong lead performances, well judged action, and a focus on moral integrity over empty spectacle push it comfortably over the line. I enjoyed it and would give Greenland 2 Migration a solid 7.5 out of 10.

Out Now in Cinemas

PREVIEW: The Huntsman (2026 Film) - Starring Shawn Ashmore, Elizabeth Mitchell, Jessy Schram and Garret Dillahunt

By Jon Donnis

Epic Pictures Group has set a North American release for the mystery thriller The Huntsman, with a limited theatrical run beginning on 6 February 2026. The film will then arrive on video-on-demand for rental and purchase on 10 February 2026.


Based on the award-winning novel by Judith Sanders, The Huntsman is directed by Kyle Kauwika Harris from a screenplay he co-wrote with Steven Jon Whritner. The film is executive produced by Frank J. Malinoski and features a cast led by Shawn Ashmore, Elizabeth Mitchell, Jessy Schram and Garret Dillahunt.


The story centres on an ICU nurse whose act of kindness pulls him into a dangerous and unsettling situation. According to the official synopsis, when he volunteers to help a coma patient accused of murdering six women, he becomes trapped in a web of lies, obsession and lethal secrets, while a detective races to uncover the truth before it is too late.


Director Kyle Kauwika Harris says the film explores moral uncertainty, the limits of justice and the fragile nature of truth, creating psychological tension without relying on gratuitous violence. He adds that the real horror lies in what remains unseen, with the story designed to keep audiences questioning every character and moment as themes of grief, guilt and paranoia come to the surface.


Epic Pictures Group CEO Patrick Ewald - "This is the kind of elevated thriller we love backing. Dark, atmospheric, and driven by strong performances, THE HUNTSMAN delivers a smart, twist-forward mystery that keeps the pressure on and audiences guessing until the very end."

Tuesday, 20 January 2026

NEWS: LEGEND Unveils a Blockbuster Line-up for February 2026


Images: Legend TV Press

By Jon Donnis

LEGEND is going big in February 2026, rolling out a packed month of Channel premieres that celebrate iconic directors, unforgettable performances and cult favourites. From crime epics and political thrillers to dystopian sci-fi and high-octane action, the schedule is a confident showcase of films that have left a lasting mark.

The month is led by heavyweight names both behind and in front of the camera. Robert De Niro, Al Pacino and Clint Eastwood take centre stage across a selection of films from directors whose work continues to define modern cinema. Brian De Palma’s SCARFACE, Martin Scorsese’s CAPE FEAR, Donald Siegel’s THE BEGUILED and John Frankenheimer’s BLACK SUNDAY form the backbone of a season rooted in bold storytelling and intense character work.

SCARFACE

February opens on Sunday 1 February at 21:00 with the Channel premiere of SCARFACE from 1983. Al Pacino stars as Tony Montana, a Cuban immigrant who rises to the top of Miami’s drug trade through ruthless violence. His empire grows quickly, but pressure from law enforcement, rival cartels and his own paranoia drive him towards an inevitable collapse.

Friday 6 February at 22:55 brings THINGS TO DO IN DENVER WHEN YOU’RE DEAD from 1995. Andy Garcia plays Jimmy the Saint, an ex-gangster pulled back into the criminal world for one final job. When the plan goes wrong, Jimmy has just 48 hours to survive as the city turns against him. The film also stars Christopher Walken and Steve Buscemi.

On Saturday 7 February at 21:00, EQUILIBRIUM arrives. Set in a future where emotions are outlawed to prevent war, Christian Bale stars as an elite enforcer who begins to feel again and realises he may be the key to dismantling the system he once served.

Sunday 8 February at 21:00 sees the Channel premiere of STATE OF PLAY from 2009. When a rising US politician’s assistant is murdered, journalist Cal McAffrey, played by Russell Crowe, uncovers a web of secrets and corruption. Ben Affleck and Helen Mirren also star in this tense political thriller.

BLACK SUNDAY follows on Thursday 12 February at 21:00. The 1977 film tells the story of a Black September terrorist plot to attack the Super Bowl using a Goodyear blimp, with tens of thousands of lives at risk. Robert Shaw and Bruce Dern lead the cast.

MAN OF TAI CHI

Saturday 14 February at 21:00 introduces MAN OF TAI CHI from 2013, directed by Keanu Reeves. Tiger Hu Chen stars as a devoted martial artist drawn into underground fighting to protect his master’s temple, forced to confront the clash between his pacifist beliefs and brutal reality.

On Sunday 15 February at 21:00, Martin Scorsese’s CAPE FEAR arrives. Nick Nolte plays a lawyer whose past actions come back to haunt him when violent ex-con Max Cady, portrayed by Robert De Niro, is released from prison and begins a relentless campaign of revenge against his family.

Thursday 19 February at 21:00 brings THE BEGUILED from 1971. During the American Civil War, a wounded Union soldier played by Clint Eastwood is taken in by women at a secluded Southern boarding school. Desire, jealousy and manipulation spiral into a dark and violent reckoning.

NO ESCAPE

Saturday 21 February at 21:00, NO ESCAPE premieres. Owen Wilson stars as an American businessman whose family becomes trapped during a violent uprising in Southeast Asia. Pierce Brosnan also features in this tense survival thriller.

Sunday 22 February at 21:00 sees AMERICAN MADE from 2017. Tom Cruise plays Barry Seal, a pilot recruited by the CIA who becomes entangled in drug smuggling for the Medellín Cartel during the 1980s, with events linked to the Iran Contra Affair.

UPGRADE follows on Thursday 26 February at 21:00. Directed by Leigh Whannell, the 2018 sci-fi thriller centres on a paralysed man given a computer implant that restores his mobility and grants extraordinary abilities, which he uses in a quest for revenge.

DEATH RACE

The month closes on Saturday 28 February at 21:00 with DEATH RACE from 2008. Jason Statham stars as a wrongfully imprisoned driver forced to compete in a deadly televised race for a chance at freedom, or face life behind bars.

With its February 2026 schedule, LEGEND delivers a confident mix of iconic cinema and modern cult hits, offering viewers a full month of intense stories, standout performances and unforgettable film-making.

TV: Sky 148 / Virgin 149 / Freeview 41 / Freesat 137