REVIEW: Speed Train (2025 Film) - Starring Scout Taylor-Compton, Nicky Whelan and Louis Mandylor

Review by Jon Donnis

There is no easing into the world of Speed Train. It opens with a glossy in-universe advert for the Brain Op chip, an AI implant sold as a lifestyle upgrade, and immediately signals the kind of pulpy sci-fi the film is aiming for. It is broad, blunt, and knowingly ridiculous, but it does at least establish its futuristic setting with clarity before the chaos begins.

The plot strands a mismatched group of passengers aboard a high-speed Nexus Track capsule. Among them are cheerleading coaches Tessa and Scarlet, their athletes Mary and Heather, and Gray, an INTERPOL agent travelling for painfully ordinary personal reasons. Their journey is interrupted when Lachlan hijacks the train, hacks the Brain Op implants, and turns passengers into violent puppets controlled by remote buyers. With no brakes and no way off, survival becomes the only goal.

Once the hijacking is underway, Speed Train settles into its groove. The film makes smart use of its limited resources, sticking to a handful of sets and keeping the action confined to the capsule's narrow corridors. The violence is gleefully excessive, sometimes gory, and often clumsy in a way that feels deliberate rather than incompetent. Fight choreography is rough and ready, but that scrappy energy suits the tone. The film knows exactly what it is and never pretends otherwise.

The cast are made up of faces that feel familiar without being distracting. Scout Taylor-Compton's Tessa leans heavily into the ex-military stereotype, while Nicky Whelan plays Scarlet with just enough confidence to carry the sillier moments. Oliver Masucci brings some grounding presence as Gray, even if his subplot never fully lands. Louis Mandylor's villain is pure genre excess, fuelled by revenge and scenery-chewing menace. (And yes, it is Nikos from My Big Fat Greek Wedding, in case you were curious)

There are missed opportunities. The Brain Op chip is a strong concept, but its implications are barely explored beyond convenience features and mind control. Much of the early runtime is spent setting up characters who never grow beyond basic archetypes, and the focus on the restrained prisoners slows the momentum before the film truly gets moving. Performances are undeniably cheesy, and the low budget shows in almost every frame.

Still, Speed Train benefits from knowing when to stop. At around 80 minutes, it never outstays its welcome. The ending is obvious from a long way out, but that is not really the point. The appeal lies in the ride itself, watching increasingly absurd situations escalate inside a metal tube hurtling across the country.

If you have a soft spot for low-budget B-movie sci-fi, Speed Train is an easy recommendation. It is silly, rough around the edges, and frequently daft, but it has enough energy and self-awareness to make the experience enjoyable.

I score Speed Train a generous 6 out of 10

Out Now on Digital

Apple TV - https://apple.co/4s3ubaC

REVIEW: The Toxic Avenger (2025 film) - Starring Peter Dinklage

Review by Jon Donnis

Macon Blair's reboot of The Toxic Avenger is exactly the sort of noisy, grimy revival fans hoped for. It is the fifth instalment in the series and a remake of the 1984 original. The film knows what it is, an ultra-violent, black comedy that mixes cartoonish gore with broad satire and a measure of heart. It will delight those who came for the shock value and unsettle anyone expecting a straightforward superhero picture.

Peter Dinklage leads the charge as Winston Gooze, a downtrodden janitor who is transformed after a catastrophic toxic accident. Dinklage brings a steady humanity to the role. He makes Winston more than a mask of green fury. When the story asks for pathos, he supplies it. Jacob Tremblay is touching as Wade, Winston's stepson, giving the film its emotional centre. 

Taylour Paige's J.J. Doherty adds fire as the whistleblower whose actions kick some of the plot into motion. Kevin Bacon is gleefully sleazy as company boss Bob Garbinger, and Elijah Wood supplies a twitchy intensity as Fritz. Luisa Guerreiro, credited as the suit performer, does the physical work of the Toxic Avenger with commitment.

The plot is straightforward, which serves the film well. There is a corrupt pharmaceutical company, BTH. There are thugs, a mob connection, a whistleblower in danger and a community under threat. From those raw ingredients Blair assembles a string of violent set-pieces, gross-out gags and darkly comic encounters. The film leans into parody more than into earnest reinvention. It is loud, filthy and frequently funny. Moments of genuine feeling sit between the carnage, so the film never becomes merely a parade of shocks.

That said, it is not flawless. The storyline is thin by design, and at times it feels like a series of skits linked by blood and bile. A few jokes overstay their welcome and the middle section can meander. At about 100 minutes the picture runs a little long for its material. If you want tight plotting and subtlety, this is not the Toxic Avenger to choose.

But those are small complaints in a film that mostly knows its audience. Blair respects the source by keeping the tone filthy and anarchic, while allowing the core relationship between Winston and Wade to give the film an emotional anchor. There are throwaway scenes that land beautifully and others that do not. Overall, the sheer commitment on screen keeps the momentum going. Performances are uniformly strong, the satire lands often enough, and the film finds a strange affection beneath its nastiness.

The Toxic Avenger is not a film for everyone. It will offend, it will shock and it will laugh at its own grotesquerie. For viewers willing to embrace that, it is a raucous, often touching reboot that pays its respects to the original while firmly staking its own claim. I score it an 8 out of 10.

Out Now at https://apple.co/4ozVYwU