Showing posts with label Sequel. Show all posts
Showing posts with label Sequel. Show all posts

Friday, 3 July 2026

REVIEW: Enola Holmes 3 (2026 Film) - Starring Millie Bobby Brown



Review by Jon Donnis

The Enola Holmes series has always occupied a comfortable space between mystery adventure and coming-of-age drama, offering a lighter and more playful alternative to the many darker interpretations of Sherlock Holmes. Four years after Enola Holmes 2, this third outing reunites audiences with the young detective as she heads to Malta for what should be the happiest moment of her life. Naturally, things do not go according to plan.


Enola Holmes, played once again by the likeable Millie Bobby Brown, arrives in Malta alongside Lord Tewkesbury, portrayed by Louis Partridge, for their wedding. What begins as a family celebration quickly spirals into another dangerous investigation involving murder, missing treasure, political corruption and the return of an old enemy. At the centre of it all is the disappearance of Sherlock Holmes, with Henry Cavill returning as the famous detective, forcing Enola to untangle a mystery that grows increasingly complicated with every clue she uncovers.

One of the film's greatest strengths remains its lead character. Millie Bobby Brown continues to bring warmth, confidence and charisma to Enola, making her instantly likeable from the opening scene. The character has matured noticeably since her first appearance, and the film wisely allows her to tackle more serious themes without losing the spirited personality that made audiences embrace her in the first place. Her occasional fourth wall breaks remain charming, although they are used more sparingly here, which helps prevent them from becoming a distraction.


The supporting cast is equally dependable. Louis Partridge gives Tewkesbury more emotional depth than before as the character struggles with revelations surrounding his family's past. His storyline adds genuine weight to the narrative, particularly as he is forced to confront uncomfortable truths about his father's role in a decades-old crime. Henry Cavill once again proves a perfect fit for Sherlock Holmes, balancing intelligence, frustration and vulnerability during some of the film's darker moments. The arrival of Dr. Watson, played by Himesh Patel, also injects fresh energy into the series, even if the "woke" casting is a bit ridiculous (Netflix forced to tick diversity boxes). His chemistry with both Enola and Sherlock works well, and he quickly feels like a decent addition to the established cast. Helena Bonham Carter's return as Eudoria Holmes is brief but welcome, bringing warmth and humour whenever she appears.

The Maltese setting proves to be one of the sequel's most appealing features. The filmmakers make excellent use of the island's historic streets, coastal scenery and striking architecture. Valletta in particular provides a beautiful backdrop for the story, helping the film stand apart visually from its predecessors. The production values are consistently strong throughout, with lavish costumes, detailed set design and polished cinematography creating an attractive Victorian world that remains easy to become immersed in.


As a mystery, however, Enola Holmes 3 is somewhat less successful. The investigation itself is entertaining enough, with plenty of clues, red herrings and twists along the way, but it never feels quite as clever as the best moments from the earlier films. The treasure hunt elements gradually take centre stage, often pushing the detective work into the background. While there is enjoyment to be found in the adventure, some viewers may feel that the Holmes identity of the franchise becomes diluted as the story leans more heavily into action and conspiracy.

Professor Moriarty's return provides a suitably dangerous threat, and the film does a good job portraying her as a manipulative mastermind operating several steps ahead of everyone else. Yet despite her importance to the plot, the character occasionally feels more like a device to move the story forward than a fully realised antagonist. The various revelations surrounding hidden Afghan gold, corrupt British officers and political cover-ups certainly raise the stakes, but they sometimes come at the expense of the more intimate character-driven storytelling that previously defined the series.

The film also struggles slightly with a sense of familiarity. After three adventures, the formula is beginning to show signs of wear. The energetic pacing and likeable cast keep things moving, but there is an undeniable feeling of franchise fatigue creeping into proceedings. Many of the narrative beats feel recognisable, and while the film attempts to raise the emotional stakes through Enola's impending marriage and Sherlock's kidnapping, it rarely captures the same magical spark that made the original films feel so fresh.


That said, there is still plenty of entertainment to be found here. The action sequences are exciting, the mystery remains engaging enough to hold attention, and the emotional resolution between Enola and Sherlock provides one of the film's strongest moments. The ending offers a surprising amount of closure for several major characters, particularly Tewkesbury, whose personal journey receives a satisfying conclusion.

Enola Holmes 3 may not reach the heights of its predecessors, but it remains an enjoyable and easy watch. The strong cast, attractive production design and charming central performance from Millie Bobby Brown carry the film through its weaker moments. While the series is beginning to feel slightly tired and the mystery takes a back seat to the treasure hunt, there is still enough wit, adventure and heart to make this a worthwhile return for fans.

A strong and likeable cast carry this film, even if the franchise is beginning to show signs of exhaustion. It remains an entertaining Netflix adventure with plenty of charm, even if some of the magic has faded. I enjoyed Enola Holmes 3 and score it a solid 7 out of 10.

Out Now on Netflix

Saturday, 30 May 2026

REVIEW: Mortal Kombat II (2026 Film) - Starring Karl Urban


Review by Jon Donnis

Picking up the threads from the 2021 instalment, this sequel leans fully into the tournament chaos, throwing Earthrealm’s champions into a darker, louder, and more unashamedly video game version of interdimensional war. At its centre is Johnny Cage, a washed-up martial arts actor pulled into Raiden’s desperate defence of Earthrealm, and Karl Urban gives the role a wry, self-aware edge that helps hold the film together even when everything else is flying fists and fractured alliances.


The strongest part of the film is its action. The combat sequences land with impact, staged with a clarity and aggression that suits the source material. There is a rough, physical energy to the fights that feels intentionally old school, closer in spirit to 1990s martial arts cinema than modern glossy fantasy action. That choice works in its favour. The film never tries to sand down the brutality, and fans of the games will find plenty of familiar moves, characters, and finishing blows brought to life with a willingness to go as far as the material demands.


There is also a clear sense of fun running through the whole thing. Mortal Kombat II never takes itself too seriously, and that balance of gore and humour gives it a strange but effective rhythm. Johnny Cage’s presence adds levity without undermining the stakes, while the wider ensemble cast keeps the energy moving even when the story threatens to become overloaded. For fans of the franchise, the sheer density of characters and references will feel like a reward in itself, with more fighters and deeper cuts from the lore than any previous film in the series.


Visually and tonally, it embraces its identity fully. It is loud, bloody, and deliberately a bit rough around the edges, like a studio production that has decided polish is less important than personality. That aesthetic choice will not appeal to everyone, but it gives the film a distinctive texture that sets it apart from more restrained modern action releases.


That said, it is not without problems. The pacing is uneven, with stretches that feel slightly stretched out before snapping back into intensity. At around an hour and forty five minutes, it still manages to feel longer in places, particularly when the narrative shifts between multiple factions and betrayals. The story itself is dense, occasionally overstuffed, and can lose momentum as it juggles too many character arcs at once.


It is also very clearly a film that will divide opinion depending on familiarity with the source material. Fans of the games and the genre are likely to embrace its excess, while mainstream critics who are less invested in the franchise may find it noisy and chaotic. It does not make much effort to soften its edges or explain itself to newcomers, and that will inevitably narrow its appeal. (Basically ignore the mainstream critics, for what do they know).


Even so, the overall experience lands firmly on the positive side. Mortal Kombat II understands its identity, embraces its brutality, and commits fully to being a spectacle-driven martial arts fantasy. It is gory, it is playful, and it looks and feels like a throwback in the best possible way. Despite its uneven pacing, it delivers enough energy and entertainment to justify its existence.


On balance, it is a strong sequel that knows exactly what its audience wants and delivers it with conviction. A solid 8.5 out of 10.

Out In Cinemas Now!

Thursday, 27 November 2025

REVIEW: Zootopia 2 (2025 Film) - Stars Ginnifer Goodwin, Jason Bateman, Shakira, Idris Elba, Alan Tudyk, Nate Torrence, Don Lake, Bonnie Hunt and Jenny Slate

Zootopia 2

Review by Jon Donnis

Walt Disney Animation Studios' "Zootopia 2" reunites audiences with Judy Hopps and Nick Wilde in a sequel that embraces both comedy and heart. Directed by Jared Bush and Byron Howard, this 2025 follow-up offers a fresh mystery centred on a cunning pit viper shaking up Zootopia. The film carries forward the spirit of the original while expanding the city's landscape and delving into more layered societal issues.


The plot sees Judy and Nick, newly partnered at the ZPD, navigating clashing personalities while attempting to crack the case of a mysterious reptile. Their investigation leads them to the Zootenial Gala, secret reptile enclaves, and the forgotten corners of Tundratown. The story's complexity is balanced with humour, clever dialogue, and tender moments, particularly as Judy and Nick confront the challenges of trust, partnership, and justice. Ke Huy Quan's Gary De'Snake brings unexpected warmth to the narrative, while Andy Samberg's Pawbert provides a mischievous foil.


One of Zootopia 2's strongest elements is its humour. It lands for all ages, with jokes that entertain children while sprinkling in winks adults can appreciate. The film also carries a resonant message about acceptance and recognising the contributions of those historically overlooked, echoing themes from the original but adding new depth. The animation remains top-notch, with vibrant cityscapes and lively character expressions that make the world feel lived-in and expansive.


However, the film is not without flaws. At over 1 hour 45 minutes, it feels a touch overlong for an animated feature, occasionally losing the brisk momentum that made the first film so engaging. While it does an admirable job of building on the original, it does not quite reach the same magic, leaving the original's sharpness slightly overshadowed.


Despite these minor issues, Zootopia 2 succeeds as a thoughtful, fun, and visually delightful sequel. It balances humour, adventure, and emotional stakes while offering a story that challenges its characters and, subtly, its audience. It is a full movie-going experience that families can enjoy together, packed with memorable moments and a meaningful message about moving forward while honouring the past.


Zootopia 2 is an excellent sequel that delivers on both laughs and heart. I score it a solid 9 out of 10.

Out Now in Cinemas

Friday, 8 August 2025

REVIEW: The Naked Gun (2025 Film) - Starring Liam Neeson and Pamela Anderson

Review by Jon Donnis

The Naked Gun (2025) had me grinning within minutes. It doesn't waste time setting up the tone. Straight away, we're watching Frank Drebin Jr, son of the late, great Lt Frank Drebin, bust a bank robbery while dressed as a schoolgirl. It's ridiculous, over the top, and exactly the kind of humour I was hoping for. Turns out, this whole thing was just a distraction so someone could swipe a device called the P.L.O.T. Device from a deposit box.


From there, Drebin's heavy-handed approach to justice gets him reassigned. He visits his father's memorial and even asks for a sign of approval in the form of an owl. The plot properly kicks in when a software engineer, Simon Davenport, dies in what looks like a suicide. Drebin spots a clue at the scene that ties back to a nightclub owned by Simon's boss, Richard Cane, a tech billionaire with a sinister plan. Cane wants to use the P.L.O.T. Device to revert humanity to its most savage state, all while the rich hide safely underground.

The film packs in gag after gag. Some of them land front and centre, others sneak in the background for you to catch on a second watch. There's a set-piece with a self-driving car Cane donates to the police that spirals into pure chaos. A nightclub scene where Beth Davenport, Simon's sister, distracts Cane with some of the worst scat singing you'll ever hear. And then, yes, a romantic weekend that somehow involves a living snowman. You know exactly what kind of film you're watching by that point.


Liam Neeson nails it as Drebin Jr. He plays it totally straight, which makes the absurdity around him even funnier. Pamela Anderson brings more spark than you might expect as Beth, and Danny Huston is perfect as the smooth but unhinged villain. The cameos are great fun too, with a few I didn't see coming.

If you've never liked the old Naked Gun films or Police Squad, this probably won't change your mind. It's the same style of humour, and I mean exactly the same. That's why it works though. It's not trying to reinvent anything. It's here to give you the kind of silly, rapid-fire comedy we haven't had in years. My only gripe is there's just one Nordberg gag. I get why they held back, but a few more awkward references could have been comedy gold.


I went in a bit nervous, thinking it might tarnish the legacy. Instead, I came out wanting to see it again. I laughed out loud all the way through. For me, it's a solid 9 out of 10.

In Cinemas NOW!

If you are new to this kind of comedy, and enjoyed the film, make sure you check out the original films, they truly are comedy gold.


Tuesday, 6 May 2025

PREVIEW: Mythica: Stormbound (2025 Film) - Starring Nate Morley, Will Kemp, Paul Cartwright, Dave Martinez, Joe Abraham and Matthew Mercer

Preview by Jon Donnis

The fantasy saga Mythica returns with its sixth chapter, Mythica: Stormbound, releasing on digital platforms on 16 June. The new instalment picks up several years after Marek and the Redthorns' heroic actions saved the world. Though the evil Necromancer Szorlok was defeated, the cost of victory was immense. The gods were slain, the land devastated, and the population left in ruin after the Redthorns gave their lives.
 


In a world still recovering from loss, a new threat begins to rise. Mythica: Stormbound introduces a fresh hero who must confront the darkness looming over the fractured realm.

The film stars Nate Morley, Will Kemp (Reign), Paul Cartwright (Six Days in August), Dave Martinez (The Chosen), Joe Abraham (UnREAL), and Matthew Mercer (Critical Role). It is written by Jason Faller, Kynan Griffin and Justin Partridge, and directed by Jake Stormoen (The Outpost).

Distributed by Signature Entertainment, Mythica: Stormbound will be available on digital platforms from 16 June.
 
Amazon UK Link - https://amzn.to/3EEBj9W