Showing posts with label Musical. Show all posts
Showing posts with label Musical. Show all posts

Wednesday, 22 July 2026

REVIEW: Descendants: Wicked Wonderland (2026 Film) - Starring Kylie Cantrall, Malia Baker, and Leonardo Nam



Review by Jon Donnis

Disney's Descendants franchise has never been afraid to embrace colourful fantasy, catchy musical numbers and ever-expanding family trees of famous fairy tale characters. Descendants: Wicked Wonderland continues that tradition, picking up after the events of the previous film with Red and Chloe discovering that changing the past has created consequences they never expected. Unfortunately, while the premise offers plenty of opportunities for an entertaining adventure, the execution quickly spirals into an overstuffed and confusing mess.


The story sees Red and Chloe returning to Wonderland after Maddox Hatter seizes control of the kingdom by kidnapping the now reformed Queen of Hearts. Along the way they are joined by an ever-growing collection of new allies, including Red's newly introduced sister Pink, Maddox's son Max and several descendants of other Disney favourites. On paper it sounds like an ambitious crossover, but the film never gives itself enough room to develop any of these characters before introducing another. Every few minutes another familiar surname appears, each demanding attention, until it becomes difficult to care about anyone because nobody receives enough focus to leave much of an impression.


The biggest problem is the story itself. Descendants: Wicked Wonderland attempts to juggle time travel, alternate timelines, family drama, magical artefacts, betrayal, redemption and multiple character arcs all at once. Rather than weaving these ideas into a satisfying narrative, it feels like several different scripts stitched together into one film. Plot developments happen simply because the story needs them to happen, with little regard for logic or consistency. The result is a film where the central adventure barely makes sense, leaving audiences struggling to follow exactly why characters are making certain decisions or how the constantly shifting timeline is supposed to work.


It also suffers from trying to recycle ideas from the original Descendants trilogy instead of carving out its own identity. Familiar themes of redemption, friendship, magical family conflicts and choosing your own destiny are all revisited, but without adding anything particularly fresh. Instead, the film comes across as a patchwork of old concepts unsuccessfully merged into one increasingly chaotic adventure.


The cast is another mixed bag. The performers themselves do what they can with the material and there is no shortage of enthusiasm in their performances. However, the production once again falls into Disney's now familiar approach of assembling what feels like a tick box cast where diversity appears to take priority over finding the strongest performers for each role. Combined with the enormous number of characters fighting for screen time, very few are given the opportunity to genuinely stand out.


Not everything falls flat. Younger viewers will likely enjoy the musical numbers, with several songs proving catchy enough to stick in the memory long after the credits roll. The production design is also undeniably impressive. Wonderland bursts with vibrant colours, imaginative costumes and visually playful set pieces that constantly give the audience something interesting to look at. Even when the story loses its way, the film rarely looks dull.

Sadly, colourful visuals and energetic songs cannot compensate for weak storytelling. As the film continues to pile on more characters, more magical objects and more convoluted twists, it becomes increasingly exhausting rather than exciting. Emotional moments fail to land because relationships are never explored deeply enough, while the endless stream of new arrivals only serves to make an already cluttered narrative even harder to invest in.


After watching this for 90 minutes, I found myself wishing I had a Pocketwatch of my own so I could travel back in time and simply skip the experience altogether. Descendants: Wicked Wonderland throws together recycled ideas, an overcrowded cast and a story that never finds its footing. While the colourful presentation and catchy songs may entertain younger fans, everything else feels muddled and frustrating. The actors give it their best effort, but they cannot rescue a film weighed down by its own confused ambitions.

Even if you already subscribe to Disney+, it is difficult to recommend spending your time on this one.

Score: 2 out of 10.

Out Now on Disney +


Monday, 29 December 2025

REVIEW: David (2025 Animated Film) - Starring Phil Wickham, Miri Mesika and Lauren Daigle

Review by Jon Donnis

David arrives as an ambitious animated biblical musical that sets out to retell one of the most familiar stories in the Old Testament with warmth, colour and a surprising amount of confidence. Following on from the Young David television miniseries, this feature-length continuation charts the shepherd's journey from quiet devotion to reluctant leadership, with faith as both its anchor and its engine.


The film opens gently, rooted in Bethlehem and in the music of David's early life. He is presented not just as a future warrior, but as a poet and musician, shaped by his mother's love and a deep, personal sense of God's presence. That calm is shattered when Samuel anoints him as Israel's future king and he is pulled into the troubled orbit of Saul, a ruler already unravelled by divine rejection. From there, the story moves steadily towards the Valley of Elah and the confrontation with Goliath, a sequence that is handled with real visual scale and narrative clarity.


Visually, David is often breathtaking. The animation is richly detailed, painterly without feeling static, and confident enough to linger on faces, landscapes and moments of silence. Battle scenes carry weight without becoming overwhelming, while quieter passages, especially those involving music, allow the film to breathe. For a 2025 release, it comfortably sits among the most impressive animated features of the year on a purely technical level.


The musical elements are another strength. Songs are woven into the story rather than bolted on, often functioning as expressions of faith, fear or resolve rather than simple spectacle. David's final act of singing in the face of execution stands out as a bold choice, turning worship into defiance and giving emotional logic to the film's climax. It is sincere, sometimes almost disarmingly so, but rarely cynical or hollow.


Narratively, the film covers a great deal of ground. From David's anointing to Saul's jealousy, from exile to mercy in the cave, and finally to the recognition of David as king, the script remains broadly faithful to the biblical account laid out in Samuel. The relationship between David and Jonathan is given room to develop, adding emotional texture, while Saul's descent is portrayed with a tragic edge rather than cartoon villainy.

That said, the film's biggest weakness is its length. At one hour and fifty minutes, it occasionally feels stretched, particularly in the later sections where pursuit, escape and regrouping follow familiar rhythms. Younger viewers may feel the drag in places, even if the quality of the animation and music does enough to keep attention from fully slipping.


Still, these are minor complaints in what is otherwise a confident and heartfelt production. David may be aimed at families, but it does not talk down to its audience. Its themes of loyalty, courage, mercy and faith are clearly articulated without feeling aggressively didactic, and the emotional beats are allowed to land without being rushed.

As a surprise, it is a significant one. David feels like a film that arrives quietly and then lingers, offering something sincere, beautifully made and unapologetic about what it believes in. Whatever the wider critical noise, this is a strong piece of faith-based animation that understands both its source material and its audience.

I would give David a confident 9.5 out of 10. For me, it stands as the best animated film of 2025 and a reminder that family storytelling, when done with care and conviction, can still feel genuinely special.

Out In Cinemas Now