Showing posts with label Gore. Show all posts
Showing posts with label Gore. Show all posts

Thursday, 16 July 2026

REVIEW: Evil Dead Burn (2026 Film) Starring Souheila Yacoub


Review by Jon Donnis

The Evil Dead series has built its reputation on relentless gore, inventive horror and unforgettable practical effects. Evil Dead Burn continues that tradition with absolute confidence, delivering the sixth entry in the franchise and a direct sequel to Evil Dead Rise. Directed by Sébastien Vaniček, the film wastes very little time before plunging viewers into another nightmare fuelled by the Necronomicon, Deadites and enough blood to satisfy even the most hardened horror fan.


The story centres on Alice Price, played by Souheila Yacoub, who reunites with her late husband's family following his death. What should have been a sombre family gathering quickly descends into chaos as Deadite possession spreads through the household, turning relatives into monstrous killers. Hidden family tensions, buried secrets and supernatural terror combine to create a brutal battle for survival that becomes increasingly desperate as the body count rises.

What immediately stands out is just how expertly staged the horror sequences are. Every major kill feels carefully crafted rather than repetitive, with each attack finding a fresh way to shock the audience. The violence never becomes predictable because the film constantly introduces new ways for the Deadites to terrorise their victims. Whether it is savage hand to hand encounters, grisly dismemberments or horrifying creature attacks, the film maintains an impressive level of creativity throughout.


Sébastien Vaniček proves himself to be an outstanding horror director with an exceptional visual eye. He understands how to build tension before unleashing absolute carnage, while ensuring every gruesome moment remains memorable. The pacing within each individual set piece is excellent, allowing suspense to build naturally before exploding into scenes of complete chaos. His direction gives the film a distinctive personality while remaining faithful to the savage spirit that fans expect.

Fans looking for extreme horror will certainly not be disappointed. Evil Dead Burn is unapologetically violent from beginning to end, offering very little respite once the blood starts flowing. The opening sequence immediately establishes the brutal tone, and from that point onwards the film barely slows down. Severed limbs, torrents of blood, mangled bodies and grotesque Deadite transformations arrive with remarkable frequency. Even the family dog becomes part of the nightmare, ensuring almost nothing is off limits.


Souheila Yacoub delivers a convincing lead performance, carrying the emotional weight of the story while remaining believable as an increasingly desperate survivor. Alice's difficult relationship with her in-laws adds another layer to the horror, while her determination to fight back prevents her from becoming another helpless victim. The supporting cast also commit fully to their increasingly disturbing transformations, helping the possessed family members become genuinely unsettling threats.

Despite its strengths, the film is not without problems. One aspect that proves difficult to ignore is what feels like an obvious attempt to push a feminist message. Rather than allowing these themes to develop naturally through the story and characters, they often feel overly deliberate and forced, occasionally distracting from the horror itself. The franchise has always been strongest when it lets the terror speak for itself, and these moments interrupt that balance.


The absence of Bruce Campbell is another issue that longtime fans may struggle with. Although his iconic Ash Williams does receive a small cameo through a photograph, it feels more like an acknowledgement than a meaningful appearance. Ash has long been the heart of the Evil Dead franchise, bringing a unique mix of horror, humour and charisma that helped define the series. Without him, Evil Dead Burn often feels like a very good supernatural horror film rather than a true Evil Dead film. With only a handful of changes, it could easily have existed as a standalone story outside the franchise.

The running time also works against the film. At 110 minutes, it stretches the material further than necessary. Horror often benefits from tighter pacing, and trimming around twenty minutes would have resulted in a far more intense experience. There are sections where the momentum briefly slows before another spectacular horror sequence gets things moving again.


Even so, Evil Dead Burn succeeds where it matters most. It delivers spectacular gore, inventive scares and some genuinely unforgettable moments of carnage. It may not fully capture the magic that Bruce Campbell brought to previous entries, but it still offers an entertaining and uncompromising horror experience for those who simply want to watch Deadites unleash absolute mayhem.

Evil Dead without Ash never feels quite right, and this instalment highlights just how important that character has been to the franchise's identity. Nevertheless, if you can accept it on its own terms, there is plenty to enjoy. It is savage, relentless and visually impressive, making it a worthy watch for horror fans who appreciate unapologetic gore.

I score Evil Dead Burn 7.5 out of 10.

Out in Cinemas Now


Tuesday, 12 August 2025

REVIEW: The Death of Snow White (2025 Film) - Starring Sanae Loutsis, Chelsea Edmundson and Tristan Nokes

The Death of Snow White

Review by Jon Donnis

The Death of Snow White takes a story everyone knows and drags it through a swamp of blood, black magic and twisted imagination. Jason Brooks clearly revels in tearing up the Disney-fied version and stitching something far nastier together. From the opening scene, with Chelsea Edmundson's Evil Queen slicing open her own palm during a ritual, you know exactly what sort of ride you're in for. It's theatrical, it's gory, and it isn't pretending to be anything else.


The forest becomes its own character here, a nightmare maze crawling with creatures and shadows. When Snow White, played with surprising grit by Sanae Loutsis, stumbles into it, the film shifts gears. The dwarves aren't miners or comic relief, they're killers, each with a signature that's so over the top it borders on absurd, but in a way that works for the tone. Watching Snow White adapt to their training is oddly satisfying. You can tell Brooks wanted her transformation from innocent fugitive to axe-wielding avenger to feel earned, and it does.


Chelsea Edmundson steals the film as the Queen. She's not just vain or jealous, she's terrifying, like someone who's already crossed every moral line and is now curious what's on the other side. Her castle set design is brilliantly grotesque, and the rituals feel almost tactile, the budget stretching surprisingly far for these moments. Granted, when the CGI does kick in, it's a little rough in places, but that's part of the charm, this is a B-movie that leans into its own excess.


The third act delivers on the promise of all the build-up. The apple scene isn't a quiet poisoning, it's a violent curse, and the fight that follows is a full-on massacre. Brooks isn't afraid to kill off fan favourites mid-battle, and the gore effects are inventive enough to keep you wincing and grinning at the same time. Snow White's final showdown with the Queen is brutal, messy and oddly cathartic. The moment she swings Tiny's axe is exactly the kind of payoff you hope for in a film like this.


It's not flawless. The pacing drags slightly in the middle, and a couple of performances from minor characters wobble a bit. But for what it is, a knowingly trashy, creatively nasty horror reimagining, it's a blast. It's also genuinely one of the most enjoyable takes on Snow White I've seen in years. I walked away smiling, which probably says something worrying about me.

I score The Death of Snow White a solid 8 out of 10.

Out Now