PREVIEW: Derelict (2025 FIlm) - Starring Suzanne Fulton and Michael Coombes

Preview by Jon Donnis

A devastating murder intertwines the lives of two broken souls in Jonathan Zaurin's bold and unconventional crime drama, Derelict. Lauded at its FrightFest premiere, the film drew wide praise for its gritty style and powerful performances, cementing Zaurin, whose previous credits include Blood Tales and Gore Grind, as a filmmaker to watch. Now, following its festival acclaim, Derelict is set to reach a wider audience with a digital release on 1 September from Miracle Media and a Blu-ray release on 22 September from 101 Films.

Critics have been quick to highlight the strength and originality of Zaurin's sophomore feature. Film Stories called it "a striking exploration of guilt and redemption" and "a mightily impressive sophomore feature," awarding it four stars. The Hollywood News also gave it four stars, noting how the film's dark heart recalls the intensity of Bull, Dead Man's Shoes and American History X. Starburst praised Suzanne Fulton's commanding performance, describing her as "a striking figure amid the bleakly shot British cityscape."

The story unfolds through a fractured non-linear structure, interlacing timelines with a blend of black and white and colour cinematography to capture a world where memory, morality and justice blur. At its centre is Abigail, played by Fulton, who has never recovered from the brutal murder of her father. Ten years on, her grief has hardened into obsession, and she retreats further into isolation, determined to exact revenge on those she blames. Her quest collides with the troubled life of Matt, portrayed by Michael Coombes, who finds his fragile stability shattered when his estranged brother Ewan, played by Pete Bird, returns from prison. While Matt is sensitive and hesitant, Ewan exerts a dangerous influence, drawing him into the same toxic criminal underworld he once tried to escape.

As Abigail and Matt's paths converge, Derelict pushes its characters into a spiral of vengeance, guilt and fractured loyalties. The film poses difficult questions about loss and whether closure can ever be found in the aftermath of violence. It is as much about isolation and emotional devastation as it is about crime and retribution, giving the narrative a compelling psychological edge.

Derelict also benefits from an impressive supporting cast including Ayvianna Snow (How to Kill Monsters, Bogieville) and Nick Cornwall (How to Train Your Dragon, Devils), alongside Coombes, Bird and Fulton. Their combined performances give weight to Zaurin's vision of a society scarred by grief and moral compromise. The result is a film that feels raw, unpredictable and unflinching, yet always rooted in human emotion.

The Blu-ray release from 101 Films includes a strong line-up of extras designed to give viewers further insight into the project. Special features include Invisible Basketball: The Making of Derelict, short film The Petting Zoo by Virginie Sélavy, the video essay No Easy Answer by George Daniel Lea, the original music video Shadow of My Bones by Mike Hoskins, as well as deleted scenes, trailers and a reversible sleeve featuring alternate poster art.

With its daring approach to structure and style, a narrative steeped in grief and vengeance, and performances that bring raw intensity to every frame, Derelict confirms Jonathan Zaurin as one of the most intriguing voices in British independent cinema today. Audiences will soon have the chance to discover it for themselves when it arrives on digital this September and Blu-ray later in the month.

PREVIEW: Odyssey (2025 Film) - Starring Polly Maberly

Gerard Johnson is back, and this one looks like a beast. Odyssey, his latest feature, is gearing up to make some serious noise with back-to-back premieres at Edinburgh International Film Festival and FrightFest this August. If you've seen Tony, Hyena, or Muscle, you'll know Johnson doesn't exactly deal in soft edges. This new one looks like it'll be no exception, only more neon, more pressure, and maybe even more personal.

At the centre of it all is Natasha Flynn, a cutthroat estate agent living beyond her means and barely keeping it together. Her world of fast deals and sleek lies comes crashing down when the people she owes money to start calling in favours that can't be paid with cash. What follows sounds like a slick, high-stakes descent through London's seedy corners, all while Natasha tries to stay ahead of everyone out to ruin her. It's being sold as stylish, gritty, and darkly funny, with a sharp eye on the modern housing crisis and the kind of corporate greed that eats people alive.

Polly Maberly takes the lead, and by all early signs, she's throwing everything at it. She's joined by Mikael Persbrandt, always good for an edge of danger, and a solid British cast including Guy Burnet, Jasmine Blackborow, Daniel De Bourg and Peter Ferdinando. Even the soundtrack promises bite, with an original score from THE THE, which feels like exactly the right kind of mood to score this ride.

Critics are already on board. Words like "heart-pounding", "riveting", and "wildly entertaining" have been floating around since its world premiere at SXSW. One even called it a masterclass. Not that Johnson's ever been shy of praise, but there's something about this one that feels like it might push him even further into the spotlight.

If you're into thrillers that come with bite and a bit of brains, Odyssey should be on your list. UK premieres land mid and late August, with a full cinema rollout in November. Feels like it's building towards something big.