REVIEW: Cobweb (2023) - Starring Lizzy Caplan, Woody Norman, Cleopatra Coleman and Antony Starr

Review by Jon Donnis

"Cobweb," directed by Samuel Bodin in his directorial debut and written by Chris Thomas Devlin, is a chilling and creepy 2023 American horror film that delves into the eerie and unsettling realms of a young boy's tormented existence. With a standout cast and an intriguing plot, the film manages to weave together psychological horror and supernatural elements in a way that should keep you on the edge of your seat.

Lizzy Caplan delivers a strong performance as Carol, a mother grappling with her son's disturbing experiences. Antony Starr's portrayal of Mark, the emotionally distant and potentially abusive father, adds depth to the family dynamics. Cleopatra Coleman as Miss Devine and Woody Norman as the tormented young boy Peter round out the cast with exceptional performances that anchor the story in a sense of unease.

The plot revolves around Peter, a socially isolated 12-year-old who suffers from bullying at school and parental neglect at home. Peter's life takes a haunting turn when he becomes entangled with an enigmatic presence named Sarah, who claims to be trapped within the walls of his home. The film masterfully builds tension as the lines blur between Peter's imagination and a sinister reality.

The juxtaposition of Peter's bleak reality with the mysterious tapping sounds and unsettling occurrences creates a truly creepy atmosphere that seeps into every scene. The narrative takes a sinister twist as Peter's interactions with Sarah escalate, revealing a disturbing backstory that implicates his parents in the disappearance of a young girl years ago. The film's pacing is skilfully handled, gradually ramping up the dread and horror as Peter's mental state deteriorates.

One of the film's strengths lies in its ability to tap into primal fears, the fear of the unknown, the fragility of familial relationships, and the blurred lines between reality and delusion. As Peter's relationship with Sarah intensifies, Cleopatra Coleman's performance as Miss Devine acts as a grounding force, bringing an element of empathy and concern to the story.

"Cobweb" doesn't rely on too many jump scares or gore; instead, it employs psychological terror to immerse the audience in Peter's unsettling world. The film's climax, set against the backdrop of Halloween Night, delivers a heart-pounding sequence that challenges the audience's perceptions and leaves them with lingering questions.

Samuel Bodin's directorial debut showcases a keen understanding of horror's nuances, effectively using visual and auditory cues to create an unsettling atmosphere. Chris Thomas Devlin's screenplay expertly balances supernatural elements with the psychological turmoil of the characters, resulting in a thought-provoking and genuinely terrifying experience.

The Good

I really enjoyed this film; at about 82 minutes it is the perfect length for a horror film. Despite the short length, the film never feels rushed. Since this is a supernatural horror film, you know that more is going on than first seems, and the way the film uses the parents is really impressive, you are never too sure if they are evil abusive parents, or just over protective ones, due to what they know.

I have tried not to spoil the main plot points, and you are probably wondering why the film is called Cobweb, when I have yet to mention spiders. Now there are no giant spiders in the film, a few small ones that don't really affect the plot, it is more towards the final scene that you will understand the name of the film.

I am so used to seeing Antony Starr as Homelander that I hardly recognised him at first with dark hair. But the real star of the film is Woody Norman as the young boy Peter. He puts in a great performance, he will pull just enough sympathy from you the viewer, without ever becoming annoying or unlikeable.

The Bad

Ok, I have to do this, and I hate to, but it must be said, when the film gets towards the climax, everything gets very dark, I understand it is a low budget, so you use the dark to hide some effects, but it is so dark, like way too dark that you can barely see what is going on. You know there is going to be a climax with the Sarah character, and they really do leave it to nearly the very end before you get a clear shot of her, but in the dark I feel like perhaps it is not enough of a reveal to please most viewers.

With that said, that is probably my only complaint about the film. Everything else I thought was great, and I do understand why low budget films have to use the dark, but it is frustrating as up until that point I was so invested.

Overall

"Cobweb" is a gripping and atmospheric horror film that leaves a lasting impression. With an outstanding cast, an intricate plot, and a skilful blend of psychological horror and supernatural elements, the film takes audiences on a haunting journey into the depths of darkness. It's a testament to the genre's potential for exploring not just external terrors, but the demons that lurk within the human psyche. There is potential for a sequel, if they decide to go that way.

I enjoyed the film, and highly recommend it to horror fans everywhere that prefer less of the gratuitous gore and jump scares, and more of a slow build full of tension.

I score Cobweb a solid 8.5/10

Out now on digital
Apple TV - https://apple.co/3QALH67

And you can pre-order on DVD on Amazon - https://amzn.to/3QDTArg

REVIEW: Teenage Mutant Ninja Turtles: Mutant Mayhem - Starring Micah Abbey, Shamon Brown Jr., Nicolas Cantu, and Brady Noon

Review by Jon Donnis

"Teenage Mutant Ninja Turtles: Mutant Mayhem" bursts onto the screen as a thrilling and dynamic reboot of the iconic franchise, delivering a nostalgic nod to the past while introducing exhilarating new elements. Directed by Jeff Rowe, this seventh instalment in the theatrical Teenage Mutant Ninja Turtles series captures the essence of the beloved characters while breathing new life into their adventures.

The voice cast is the film's beating heart, with each actor embodying their characters with flair and dedication. Micah Abbey's Donatello radiates wisdom and resourcefulness, while Shamon Brown Jr.'s Michelangelo injects the film with charisma and humour. Nicolas Cantu as Leonardo effortlessly portrays the leadership and honour of the group, and Brady Noon's Raphael balances strength with impulsiveness. Ayo Edebiri as April O'Neil ticks all the diversity boxes and keeps Hollywood happy.

The story kicks off with a bang as TCRI executive Cynthia Utrom (Maya Rudolph) sends her strike force after the rogue scientist Baxter Stockman (Giancarlo Esposito), setting off a chain of events that leads to the Turtles' emergence. The film skilfully blends action, humour, and heartfelt moments as the Turtles navigate their identity as mutants and their desire for a normal life. The tension between their longing for acceptance and their duty as heroes provides a compelling emotional arc that resonates with audiences of all ages.

Jackie Chan as Splinter was a good choice, even if the character has changed a bit from the original.

The introduction of new characters adds depth and complexity to the plot. Maya Rudolph's Cynthia Utrom and John Cena's Rocksteady stand out as compelling adversaries, while Seth Rogen's Bebop brings humour and camaraderie to the gang of mutants. Natasia Demetriou's Wingnut and Rose Byrne's Leatherhead provide an eclectic mix of personalities, and Giancarlo Esposito's Baxter Stockman adds a layer of intrigue as the genius scientist with his own agenda.

The Good

The animation style is decent. Did you know they were going to make Splinter gay! But it seems like they redubbed some scenes to change this, and make the monster he falls for a female. 

Considering how bad I thought this film was going to be, I was pleasantly surprised, I guess the low expectations worked in the film's favour here.

The Bad

There isn't a great deal of depth to the characters, and the film is full of cliches, so the older audience, of which I am one, might remember the Teenage Mutant Ninja Turtles (1990) film, and you will roll your eyes quite a bit.

Whereas the classic 1990 film gave all four turtles really unique characters, I felt like this new imagining has made them all a bit homogeneous. Yes, there are differences, but not enough to make them stand out.

They also changed the April O'Neil character, she is no longer this experienced knowledgeable reporter, but more of a young inexperienced one. I guess this was done so she would fit in better with the Turtles. Oh and of course instead of being an attractive slim white red head, she is now a fat black girl, with terrible hair. 

As much as I like Jackie Chan as Splinter, they have fiddled with the character somewhat, he is no longer called "Master", instead he is now just "Dad". Gone are the classic Wisdom quotes.

Also, the animation style although cool, is obviously a rip off of the Spiderverse cartoons. I would have much preferred a live action remake.

And finally, the film despite being directed for families and kids has a lot of adult jokes, and far left propaganda. It sticks out like a sore thumb and really spoils what should be a fun family film. There is also some 

Overall

The film's pacing will keep viewers engaged from start to finish, with some exciting action sequences. The animation is top-notch, seamlessly blending the vibrant world of the Turtles with the urban landscape of New York City.

Teenage Mutant Ninja Turtles: Mutant Mayhem pays homage to the franchise's history while paving the way for a new era of Turtle adventures.

The film is not without its faults, and I was expecting it to be terrible, but it was way better than i thought.

I score Teenage Mutant Ninja Turtles: Mutant Mayhem a generous 7.5/10

In Cinemas Now!

And you can pre-order the home release now at https://amzn.to/43Xk621

REVIEW: Soulcatcher (2023) - Starring Piotr Witkowski, Jacek Koman, Michal Burdan and Jacek Poniedzialek

Review by Jon Donnis

"Soulcatcher," directed by Daniel Markowicz, delivers an interesting and explosive experience that combines the adrenaline-pumping excitement of classic action with intriguing sci-fi elements. Clocking in at 1 hour and 38 minutes, this Polish-language film, distributed by Netflix, takes audiences on a ride of intense fights, heart-stopping explosions, and a dash of futuristic technology.

The film wastes no time in plunging viewers into its chaotic world. Private military contractors Kiel (Piotr Witkowski) and Piotr (Michal Burdan) embark on what seems like a routine extraction mission in a remote corner of Poland. However, their plans go awry when they're attacked by seemingly deranged civilians. The action escalates when Piotr succumbs to the same frenzied state and turns against his own brother, forcing Kiel to make a gut-wrenching decision.

As the story unfolds, the mysterious "soulcatcher" technology takes center stage. Created by scientist Witold Mazur (Jacek Poniedzialek) with the intention of curing cancer, the device instead transforms its victims into homicidal zombies upon impact. With the soulcatcher in the hands of the rogue general Yousif (Mariusz Bonaszewski), who plans to sell it on the black market, Kiel is enlisted by Polish government official Jan Zareba (Jacek Koman) to retrieve the technology at any cost, but also with the claim that it can be fixed so it can be used to heal again.

The film has a decent cast, led by Witkowski as Kiel, who delivers a fair performance as a tough yet conflicted protagonist. Michalina Olszanska portrays Eliza Mazur, adding depth to the narrative with her determination to rescue her father and put an end to the deadly technology's reign. Vanish Luthra, Sebastian Stankiewicz, Aleksandra Adamska, and Mateusz Mlodzianowski round out the mercenary team, each bringing their own unique flair to their roles.

Markowicz's direction infuses the film with a decent pace, as the team races against time to thwart Yousif's plans. The action sequences are a strong point to the film, embracing the classic action genre's formula of thrilling combat and spectacular explosions. The blend of gritty realism with the intriguing sci-fi twist of the soulcatcher adds an innovative layer to the movie.

The film's narrative tries its best to look into the human cost of power and the potential consequences of unchecked scientific advancements.

The Good

Some nice old fashioned action scenes take centre stage, some decent performances and an intriguing storyline.

The Bad

A low budget hampers the film, and I would have liked much more of a sci fi feel to the film. We never really learn how the machine could have been used to heal either.

Overall

"Soulcatcher" delivers a decent storyline, some good performances, and fun explosive visuals, this Polish action thriller is perhaps not what you might expect, but does give fans of the genre something to watch.

I have not watched many, if any Polish action films. This one is ok. Perfectly watchable, it moves along as a fair enough pace, isn't too long.

Worth a shot.

I score Soulcatcher a fair 6.5/10

Out now on Netflix at

https://www.netflix.com/title/81498378

REVIEW: Meg 2: The Trench - Starring Jason Statham, Wu Jing, Sophia Cai, Page Kennedy, Sergio Peris-Mencheta, Skyler Samuels and Cliff Curtis

Review by Jon Donnis

Directed by Ben Wheatley, "Meg 2: The Trench" takes audiences on a thrilling and heart-pounding deep-sea adventure, delivering a captivating blend of science fiction and action. The film is a sequel to the 2018 hit "The Meg," and it successfully builds upon the suspenseful premise of its predecessor.

The story transports viewers five years after the events of the first film, introducing us to the now-seasoned diver Jonas Taylor, portrayed brilliantly by Jason Statham. Taylor's involvement in fighting environmental crimes meshes seamlessly with his role in exploring the uncharted depths of the Mariana Trench. The film kicks into high gear when a malevolent mining operation jeopardizes the mission, thrusting Taylor and his team into a desperate battle for survival against the formidable Megalodons.

The cast's performances are commendable, with Statham reprising his role with the perfect mix of toughness and vulnerability. Wu Jing as Jiuming Zhang brings depth to his character, and Sophia Cai as Meiying Zhang shines as Jonas' step-daughter, adding emotional resonance to the film. The ensemble, including Page Kennedy, Sergio Peris-Mencheta, Skyler Samuels, Cliff Curtis, and Sienna Guillory, contributes to the film's dynamics and tension.

Director Ben Wheatley masterfully keeps the pace tense and the stakes high, skilfully blending action-packed sequences with moments of emotional connection and light-hearted banter. The underwater scenes are visually stunning, immersing the audience into the perilous world of the trench. The filmmakers' attention to detail is evident, enhancing the authenticity of the deep-sea environment.

The screenplay, penned by Jon Hoeber, Erich Hoeber, and Dean Georgaris, adeptly weaves a complex narrative that involves illegal mining, personal vendettas, and the unpredictable behaviour of the Megalodons. This intricate web of elements keeps the audience engaged throughout the film's runtime.

While "Meg 2: The Trench" maintains the suspenseful and thrilling tone of its predecessor, it also introduces new dimensions to the story, such as the dynamic with the trained Meg, Haiqi, whose erratic behaviour adds an element of uncertainty. 

The Good

With a big budget, the film is strong on the visual effects, everything looks great, and if you can ignore some of the science of it all, this is a fun action film that never takes itself too seriously, and delivers on the most important part, lots of Megalodon action.

The Bad

The film does introduce some other creatures, which I thought was a bit much, keep it to the giant sharks and I am happy. As mentioned above some of the science is a bit iffy, and I imagine deep sea divers etc will be shouting at the screen.

Overall

"Meg 2: The Trench" is a must-watch for fans of the science fiction and action genres. With a decent storyline, captivating performances, and breathtaking visuals, the film successfully carries the torch from the first installment and delivers an exhilarating cinematic experience. Whether you're a fan of deep-sea adventures, monstrous creatures, or heart-pounding action, this film offers something for everyone.

I enjoyed Meg 2, and yes it does get a bit silly at times, but what do you expect, it is a film about a giant ancient shark!

I score Meg 2: The Trench a solid 8/10

In Cinemas Now!

And coming soon to Apple TV at https://apple.co/43X3Bmu

REVIEW: Insidious: The Red Door (2023) - Starring Ty Simpkins, Patrick Wilson, Rose Byrne, Andrew Astor, Steve Coulter, Joseph Bishara, Whannell, Angus Sampson, and Lin Shaye

Review by Jon Donnis

Insidious: The Red Door takes the audience on a chilling journey into the depths of supernatural horror, skilfully crafted by director Patrick Wilson in his directorial debut. As the fifth instalment in the renowned Insidious franchise, the film weaves a sinister tale of forgotten memories, familial strife, and the malevolent forces lurking in the shadows.

Set nine years after the events of Insidious: Chapter 2, the film introduces us to a fractured world where Josh Lambert's haunting past is concealed within his repressed memories. Portrayed by Patrick Wilson, Josh navigates a life marred by divorce, loss, and strained relationships. The demise of his mother Lorraine sets the stage for a series of unnerving encounters that delve into the heart of unresolved family dynamics.

The narrative escalates when Josh's son, Dalton, played by (Ty Simpkins), unwittingly draws a foreboding image of the titular red door, a portal to the eerie realm known as The Further. As the spectral events unfold, it becomes evident that the legacy of this red door extends beyond mere superstition. Josh's confrontation with the vengeful spirit of his long-lost father unveils layers of emotional turmoil, fusing the supernatural with deeply rooted familial conflicts.

Dalton's journey, paralleling his father's, takes an ominous turn as he grapples with his nascent ability to astral project. The blending of modern technology, like YouTube videos explaining astral projection, with Elise Rainier's wisdom from the previous films bridges the franchise's continuity seamlessly. The frat party scene, juxtaposing the mundane with the paranormal, amplifies the tension as Dalton and his friend Chris stumble upon a horrifying presence.

The film thrives on building suspense through expertly choreographed sequences, keeping the audience on edge as malevolent forces intensify their grip on the characters. The reappearance of the red-faced demon, haunting both Josh's past and Dalton's present, serves as a harrowing reminder that some horrors refuse to remain confined by time.

The intricate interplay between Josh, Dalton, and the supernatural culminates in a climactic showdown within The Further. As Josh's hidden memories resurface and Dalton's astral projection skills heighten, a tapestry of past trauma and paranormal terror comes together in a heart-pounding confrontation. The nightmarish lair of the red-faced demon serves as a visceral backdrop, intensifying the dread that envelops the characters.

Insidious: The Red Door adeptly pays homage to its franchise's legacy while carving a distinct path of its own. Patrick Wilson's dual role as both director and actor lends a nuanced touch to the film's eerie atmosphere, while the screenplay by Scott Teems and Leigh Whannell delves into the psychological horrors of suppressed memories and fractured relationships. The film's ability to seamlessly merge the mundane with the supernatural showcases the filmmakers' commitment to the horror genre's evolution.

The Good

Excellent visual effects and make up leave you with an uneasy feeling. Well written, with a strong performance from Patrick Wilson.

A few really good jump scares, that I did rather enjoy.

The Bad

The film takes itself a bit too seriously at times, and due to the PG 13 rating, it lacks the kind of gore that horror fans might expect. 

Overall.

Insidious: The Red Door emerges as a decent addition to the Insidious franchise, offering a spine-tingling narrative that lingers long after the credits roll.

I imagine the stuck up critics will hate it, but general horror fans will enjoy it.

Not gory enough to please all, but scary enough to keep you happy.

I score Insidious: The Red Door a fair 7.5/10

In cinemas now!

And also available on Apple TV at https://apple.co/3KvRoOJ and Amazon at https://amzn.to/3OHVaak